york city ballet

An assessment of New York City Ballet’s fall season, which ended on Sunday.

The New York City Ballet’s gala on Thursday introduced Paul McCartney’s “Ocean’s Kingdom” at the David Koch H.

Theater.

“Swan Lake” opened the New York City Ballet’s new season, and Peter Martins makes it different if not always good.

At just 20, Chase Finlay is a rising force at New York City Ballet. He has triumphed recently in his roles as the god Apollo and as Tony in Jerome Robbins’s “West Side Story Suite.”

The New York City Ballet opened its winter season on Tuesday with an all-Balanchine program.

Ballet is a storytelling art that has no written language. It is classical and modern, intellectual and emotional, athletic and cerebral, and, for many, the embodiment of joy in movement.

Host Scott Simon speaks with Jennifer Homans, author of Apollo's Angels: A History of Ballet. The two are also joined by Jacques d' Amboise, a long-time principal dancer for the New York City Ballet.

Thursday’s New York City Ballet premiere of “Plainspoken” highlighted the give-and-take and push-pull relationships between men and women, in keeping with the lightweight tone of the Ballet’s whole gala.

The New York City Ballet is trying to turn a formal art form into a friendlier experience for the audience.

New York City Ballet’s Darci Kistler retires after 30 eventful years.

Don't miss Christian Boltanski's monumental new work, No Man's Land, which will be unveiled at the Park Avenue Armory on May 14.

Thousands of pieces of discarded clothing and a soundtrack of reverberating heartbeats will fill the massive Armory Hall until June 13.